Her fiancé eventually turns up to discover she's lied about her background (in addition to withholding her marital status, for some unexplained reason she pretended to be from a rich family when she's not), and he's very forgiving.
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There are street fairs with livestock, honky tonk bars and reunions with old friends who now have three kids. City slicker Melanie discovers being back in Alabama "fits too." Melanie comes to understand her persnickety parents and feel comfortable behind the wheel of a pick-up (uh, what happened to her Saab?). But the longer the movie goes on, the more formulaic it becomes. While you know exactly where this is going from the moment sparks start flying when they're reunited, Witherspoon and Lucas have such terrific, combustible chemistry together that it's fun to go along for the ride for a while as they snipe at each other over the divorce papers that he's not yet ready to sign - in part because there's still some love there, but mostly just to tick her off. A handsome, blue-eyed charmer named Jake ( Josh Lucas, "A Beautiful Mind") with a playful Paul Newman smirk, she did nothing but fight with him once the magic wore off their relationship, so Melanie bailed out to follow her ambition.
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Wonderful proposes by getting down on one knee at Tiffany's, which he's arranged to stay open after hours, and telling her to pick any ring she wants.īut there's one little wrinkle Melanie's fiancé doesn't know about: Before she can marry him, she'll have to divorce her hayseed childhood sweetheart back in small-town Alabama. Reese Witherspoon stars as Melanie Carmichael, a rising-star designer in New York's fashion world who is downright giddy about her new engagement to the political mover-and-shaker son ( Patrick Dempsey) of the city's image-conscious mayor ( Candice Bergen). Making only a minimal effort to be any different or better than the hundreds of other forgettable, predictable, almost-married-the-wrong-guy romantic comedies that have come before it, "Sweet Home Alabama" has the benefit of a talented, appealing cast and the burden of being entirely dependent on clichés to drive its story.